DepicT! - Storyboards
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DepicT! Video Textual Analysis
For this task, we were assigned groups and had to create a 90 minute short film. We settled upon the idea of a group of friends talking, but one seems to be an outcast (made obvious by always being on the end of or slightly behind the rest of the group, no-one looks at him or speaks to him) and doesn't speak throughout the entire conversation, until upon reflection the group begin to discuss an incident that occurred a few months prior. At this point he tells one of the group that it wasn't his fault, and as his friends stand up and walk away, he remains and begins to fade. Using this effect made it apparent to the audience that he was a ghost, and this subconsciously causes the viewer to realise that he was the friend that was killed in the accident. Camera Use A range of shot types were used throughout our short film, but the most common was a medium close up as this shot type seemed the most appropriate to use when filming the characters talking, and the film is p...
Inglorious Basterds Editing Techniques Analysis
History of Editing 1895 sparked the turning point of cinema through the creation of the "Cinematographe" by the Lumiere Brothers. This piece of equipment shaped film forever as it served as a motion picture film camera, a film projector and a printer. Although the original idea for this was created by French inventor Leon Bouly, due to lack of funding he sold the rights to the Lumiere Brothers. The problem with the Cinematographe is that the entire film had to be shot within one take. Early film-makers were afraid to edit shots together as they assumed the result would confuse audiences as they would be taken from one location or storyline to another. Eventually (and thankfully) film-makers overcame their initial fear of audience confusion and soon discovered that jump cuts added to the reality and the element of story telling. For example, in a book, a character could have a flashback or the story could have two parallel running story lines, therefore the power of the ...
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